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    <title>AnamoFose, Source of Vintage Photography : RSS Category Feed :: Contemporary Art Photography</title>
    <link>http://www.anamorfose.be/</link>
    <description>New photos to the collection</description>
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    <copyright>Copyright (c) 2026 Xavier Debeerst</copyright>
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      <title>Antiquarian Photo Books</title>
      <link>http://www.anamorfose.be/contemporary-art-photography</link>
      <author>xavier@anamorfose.be (Xavier Debeerst)</author>
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      <pubDate>Thu, 12 Nov 2015 12:26:10 -0500</pubDate>
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      <title>fine art photography</title>
      <link>http://www.anamorfose.be/contemporary-art-photography/fine-art-photography</link>
      <description>


Contemporary Fine Art Photography


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      <pubDate>Mon, 12 Sep 2011 21:02:21 -0400</pubDate>
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      <title>Gabrielle de Montmollin</title>
      <link>http://www.anamorfose.be/contemporary-art-photography/gabrielle-de-montmollin</link>
      <description>Gabrielle de Montmollin, Bird Women


Please scroll down to discover the catalogue

&quot;Bird Woman is an overview of the most recent work of Gabrielle de Montmollin. 

It marks a new step in her work: the images are more sober but still keep the dynamism so typical for her images.

I like to compare these photos to a classical Greek play.  First you have the presentation of the characters and then you have the play.  In this set of pictures you have the presentation of five mythical actors with masks. The movement of the characters inspire the spectator to make his own play. 

The strong figures are dancing a mythical dance which is accentuated by the bird-mask.  They are strong images that are like icons.

Now it&#039;s waiting for the first act of the play.

On this website we present three different approaches of photographing dolls and mannequins. 

I asked Gabrielle de Montmollin her view on the subject:


A form of consciousness


Gabrielle de Montmoullin: In the earliest times humans believed that souls or spirits existed in every object, even if it was inanimate. From this, it was a small jump of intuition to think that if you fashioned a human-like object it could possess the soul of ancestors or beings with supernatural powers who might act on your behalf. The mystical belief in the power of effigies continues to this day. Modern dolls, made of plastic, and manufactured by the millions can cast a similar spell. It is not hard to think that they possess lives of their own and are the repositories of unknown consciousness.

A child playing with a doll also attributes a personality to it. I think many children play with dolls in subversive and perverse ways, they do not limit themselves to what is intended by the manufacturer or the society that produced the object. Store mannequins are meant to display clothes, in a naked state they invite us see them as different beings.

Because I make photographs rather than drawings, the figures which appear in my photographs are physical objects that have existed in time. This is very important. Even if I have taken an object and transformed it so that it represents something I have imagined, the object still has an existence independent of my imagination and the image I make of it. This adds to the power of it, the fact that it is Oreal.¹

In &#039;The Psychology of Imagination&#039; Sartre describes an image as a form of consciousness whereby something that is absent is nonetheless present to our consciousness. It is the absent something which is nonetheless there that I am looking for when I pose the dolls and click the shutter.


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      <pubDate>Mon, 21 Feb 2011 23:16:51 -0500</pubDate>
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      <title>Paul Cava</title>
      <link>http://www.anamorfose.be/contemporary-art-photography/paul-cava</link>
      <description>


A  lot of contemporary artists are charmed and inspired by the  photographic language of the nineteenth century. The richness of the  images and the technical processes were overwhelming in the last  century. There are modern photographers who make new work from a  nostalgic feeling or are frustrated by the modern photographic  materials and use the old techniques and images. The results are mostly  copies of the &quot;Old Masters&quot;. I prefer the original over the copy.


Continue reading ...



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      <pubDate>Mon, 12 Sep 2011 21:05:03 -0400</pubDate>
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      <title>Verf.</title>
      <link>http://www.anamorfose.be/contemporary-art-photography/verf</link>
      <description>



Verf. intimate photography




Through and in   the work of Verf., the journey becomes more and more intimate and personal. 
 The visitor is invited to experience the explicit tension between the private   and the public space. 
 Verf.&amp;rsquo;s photographs are confronting and autobiographical and show the &amp;ldquo;inside&amp;rdquo;   of daily life. 
 

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      <pubDate>Mon, 12 Sep 2011 21:05:36 -0400</pubDate>
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      <title>Boys at work</title>
      <link>http://www.anamorfose.be/verf/boys-at-work</link>
      <description>


Boys at work



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      <pubDate>Fri, 24 Feb 2012 03:25:20 -0500</pubDate>
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      <title>HUMAN war BODY terror</title>
      <link>http://www.anamorfose.be/verf/human-war-body-terror</link>
      <description>

HUMAN war BODY terror AFTER aggression

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      <pubDate>Mon, 21 Feb 2011 23:17:49 -0500</pubDate>
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      <title>Life at last</title>
      <link>http://www.anamorfose.be/verf/life-at-last</link>
      <description>&amp;ldquo;Life at last on the bright side of life&amp;rdquo;.....DENK-1X infinitas ...BILD-MOMENT..see your self..see yourself..  </description>
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      <pubDate>Fri, 24 Feb 2012 03:25:49 -0500</pubDate>
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      <title>Misc. images</title>
      <link>http://www.anamorfose.be/verf/misc-images</link>
      <description>Miscellaneous images by Verf.

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      <pubDate>Fri, 24 Feb 2012 03:26:24 -0500</pubDate>
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