Collector’s Room Update #2: Reinventing the World



Collector’s Room Update #2: Reinventing the World
A photo essay on European avant-garde photography

Following the international success of the first Collector’s Room Update: Stieglitz meets Misonne stellen we proudly present you our second Update: Reinventing the World.
Reinventing the world is the second part of a photo trilogy giving an overview of the Anamorfose collection of vintage historical art photography.  
The Collector’s Room Updates are not traditional museum exhibitions but rather a personal view on historical photography.  

Reinventing the World is a group exhibition with the work of 20 different belgian and european photographers such as Willy Kessels (B), Raoul Hausmann (D), Leni Riefenstahl (D), Alexis Delcroix (B), Henri Martinie (FR), Nikolaï Kossikoff (RU/B), Dr. Paul Wolff (D), Sasha Stone (D) and Gerhard Riebicke (D).  

The exhibition is a unique confrontation of vintage prints, many of which have never been shown before.  Many of the pictures look very modern but they were all made in the 1930s.

The awakening during the interwar period

Squeezed between two world wars the interwar period is a melting pot of new artforms.
After the cruelties of the First Worldwar and the horror of the Spanish flu all existing values had disappeared. And that was also the case for photography.

Photographers take away from their earlier work in search of a new world letting go all existing values.

Absurdity as motto

When you have nothing to loose, everything becomes possible.
The Berlin Dadaists are the exponents of this philosophy. They tackle all media in search of a new imagery.

Raoul Hausmann, berlin artist and protagonist of the Dada movement, is the central photographer in the exhibition.  His entire life was one great work of art.

The city as a habitat

The desolate cities need to be redrawn.  Many artists give their views on the new society through the city.  City life symbolizes progress and the new world.  Constructivism and Futurism are the keywords.

The industrialization and urbanization of society become important themes for photographers.
The city is the centre of the new world and one of the most important subjects for the photographers.
Sasha Stone, Dr. Paul Wolff (Germany) and Nikolaï Kossikoff (Russia-Belgium) give a good picture of the city and the industrialization.  The city is no longer a topographic data but has become a moving world of transport and progress.

The city means more than just transportation and industrialization, the city is also cabaret and a lively night life where the artists are happy to participate and which in itself yields great photography.

Still life as an experiment

The experiment is one of the main features of the avant-garde photography. The still life plays an important role in the experiment. From readymades to advertising photos.

Techniques such as montage, collage, photogram, solorisation, extreme exposures and angles are perfected.
Later these techniques will become commonplace.  They are now found in software like Photoshop.

In the exhibition there is experimental work and still lifes by a.o. Raoul Hausmann, Alexis Delcroix and Willy Kessels.

Practical information

Collector’s Room Update #2: Reinventing the World
Avant-garde fotografie

Photo Gallery Anamorfose | Nieuwstraat 11 | B-8870 Izegem
www.anamorfose.be | xavier@anamorfose.be

Opening on Sunday 24 June from 3.30 pm onwards.
Home concert with songs of Kurt Weill, Francis Poulenc and Erik Satie by Sandra Lammens (piano) and Jolien De Gendt (soprano).

Exhibition from 29 June until 29 September.  Open on Fridays (2pm-7pm) and on Saturdays (10am-1pm) or by appointment.
The gallery will be closed in August.

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The vintage photos featured on this website are single vintage photographs to be purchased as a collectors item.
No rights for reproduction or commercial use in any form whatsoever are given or implied.
If, when visiting this website, you should encounter photographs that you think you have copyrights or any other rights on, please contact us.
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